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She’s still using a USB microphone to record, but there’s an invigorating new clarity and sense of fun to her sound. In the year that followed her 2016 album Ed Buys Houses, which earned her acclaim as one of Boston’s best new artists, Gish strengthened her approach to production. Yet the more she does this, the more she stands out as a smart, plainspoken, entirely relatable young person in the post-Tumblr era. It’s as if Gish is standing atop a pile of books, so overcome with nerves that she repurposes their facts into self-effacing darts.
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Elsewhere, she chides herself for mispronouncing a Greek goddess’s name as “purse-a-phone” and questions her individuality through the eyes of a city rat, nodding to solipsistic philosophy, The Matrix and video-game NPCs as she goes. On the same song, she puts her noncommittal attitude in geopolitical terms to satirize the benefits of distance (“Maybe I wanna see him/But then again, I’m an isolationist”). “Two-faced bitches never lie/And therefore I never lie,” she sings on the guitar-scaling highlight “Sin Triangle,” using tongue-in-cheek phrasing to suggest something subtler than a garden-variety melodramatic sulk. “That, the rabbit, and a non-comedic lawsuit on top of that.” Later, she mocks dull conventionality with titles like “I’m Filled With Steak, And Cannot Dance.” But most of the time, she’s just trying to point out her weaknesses before someone else does. On “Good Magicians,” she twists a story of manipulation and emotional sleight-of-hand into a flirtatious ode to a trickster: “I would end up with Trix cereal’s mascot suffocated in a hat/And half a torso cut in half.” she muses. Gish’s uniquely skewed sense of humor is the album’s best hook of all. Moments like this show that she’s been honing her virtuosic skills for years, with or without an audience.
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Just listen to “Not But For You, Bunny,” where she introduces contrapuntal, almost contradictory vocal parts and channels Tom Tom Club to serenade her pet rabbit. (“i’m not studying jazz guitar i just looked up a ii V I tutorial once and want to get ok at it before i die LMAO,” she says in a typically self-deprecating note on her Bandcamp page.) Her rich vocal harmonies cascade on “Where the Sidewalk Ends” and encourage sing-along moments on “Impostor Syndrome.” Gish has credited her knack for complex arrangements to her naturally having perfect pitch-“If a car beeps in an F sharp, then I’ll know it’s an F sharp,” she told The Boston Globe-but the ingenuity of her songwriting is about much more than luck. Over the album’s 13 tracks, she uses electric guitar, melodica, MIDI instruments, and assorted percussion to evoke a one-woman show full of clever melodies, inventive hooks, and borderline-jazz guitar licks. The male becomes a permanent appendage that draws nutrition from its female host and serves as an easily accessible source of sperm.As a solo artist, Gish is versatile enough to serve as her own backing band. The males of some anglerfish species, including the football fish, have evolved into “sexual parasites.” Using well-developed olfactory organs, they find and fuse themselves to females, eventually losing their eyes, internal organs, and everything else but the testes. The first spine of an anglefish's dorsal fins, called the illicium, extends outward to end in a fleshy, phosphorescent bulb (or esca), which the fish use to lure prey. Male and female anglerfish differ dramatically in size, with some females measuring up to ten times larger than their male counterparts. This was the same Pacific footballfish ( Himantolophus sagamius) we now have in our collections, and one of more than 300 living species of anglerfish (of the order Lophiiformes) found around the world. In 1985, deep-sea fishermen in Monterey Bay, California, hauled up their nets to find a menacing-looking fish with a 6-inch-long globular body, prickly skin, needle-sharp teeth, miniscule eyes, and a strange stalk on its head.